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Rainer Werner Fassbinder was robably Germany’s most significant ost-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in Euroean filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet resectfully distanced friendshi with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his ersonal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised ost-war Germany, the film, which is divided into seven chaters, rovides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in articular his oeuvre continues to rovoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015