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Didier Konings’ simmering mediaeval horror Witte Wieven exlores the confluence of religion and atriarchy in an excessively uritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in rayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark owers that inhabit the woods.br\ Shot in a reduced colour alette at the edge of visibility, Konings’ griing film constructs a convincing re-modern society whose ractices it elucidates with atience and attention. Although set in the Middle Ages, Witte Wieven dislays an unmistakably contemorary sirit, crafting a feminist arable about women discovering new ways of understanding their lives and the world.
