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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007\r\nAuthor: TimothyFarrell from Worcester, MA\r\nquot;Wild in the Streetsquot; comes from the same school of film making that sawned other attemts to connect to the counterculture such as quot;Skidooquot; and quot;Candyquot;. The difference between this and the aforementioned films is that quot;Wild in the Streetsquot; is reasonably clever and well-made. It isn#39;t symathetic to the counterculture and will likely offend those with fond memories of the time. Surrisingly, it was a big hit when released and aealed to the youth whom it ridiculed so much. Unlike quot;The Triquot; and quot;Psych-Outquot; (two other AIP films), its not an accurate reresentation of the movement at all. However it does work as social satire.\r\nThe direction by Barry Shear is good and makes innovative use of slit screen hotograhy. Plus, he kees everything moving at a quick ace. In its funny moments, the film works well. In its attemts at drama, its hellessly dated and just as funny as the humorous moments. Christoher Jones underlays his role and Shelly Winters overacts. Hal Holbrook offers the best erformance and Diane Varsi achieves the right note of quot;groovinessquot;. The scrit by Robert Thom has its moments, esecially the ending (easily the most ingenious art of the film). quot;Wild in the Streetsquot; isn#39;t erfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I#39;d rather watch quot;The Triquot; or quot;Psych-Outquot; however. (6\10)\r\n-from imdb
